This fourth story set in Bumpkinton is set just before Christmas when Father O'Grady is down a Santa Claus and asks the local down and out, Albert, to help out.
This is another gentle tale set in this hard to find village. I am enjoying this series and this is another fine addition. These stories work well as shorts and each one intermingles with characters across other ones.
http://www.amazon.co.uk/dp/B00Q1J55GS/?tag=jookuf-21
Saturday, 13 December 2014
Friday, 12 December 2014
Interrogating Matthew Drzymala
Next up is the man who discovered the little village of Bumpkinton.
How do you strike the balance
between writing something you want to write and writing something that people
want to read, in terms of the compromises you make, if any?
I have to be honest and say of
the work I have released thusfar, I have written them for myself. Brainstorm, a
short story about a clinical psychologist whose life is falling apart was
written in a creative writing class I took in 2012/13. The main set piece was
written in that class and I expanded it after I left. I wrote it solely for myself.
My Bumpkinton stories are again a
product of that course and I write them for myself also. I have had a number of
people asking me to write more about Amelia Goose. However, for me, she is a
character purely there to irritate. Bittersweet, the first Bumpkinton novella
had her as a main lead, but her elongated words can be grating and to base a
lot of stories around her, for me, would be something I would get tired of.
However, saying that, I am
currently working on a set of children's stories. I have definitely had to tailor
those for the younger audience. Those are purely aimed at children and not
myself. I find myself changing words to make sure I don't alienate a younger
audience. I try to take the Roald Dahl and Harry Potter approach with those
stories. It's best to write them so they don't talk down to children. Children
are intelligent and there's no point patronising them. I have had to change
some things they wouldn’t understand and describe more, but they are written in
a way that an adult would enjoy too.
It's finding the right balance,
so so far that is the only piece of work I've made compromises on.
What excites, attracts or appeals
to you about the genre(s) you write in.
I write mostly humorous fiction.
I like to think I have a good sense of humour. Bumpkinton, for instance, is
very light and can be read by anybody. There's no bad language and they are an
easy read. Sometimes after I've read a heavy book, I like to then read
something that's a bit fluffy and daft to rest my brain. I hope that people
find this in my Bumpkinton Tales.
They are the least stressful
pieces I've worked on either published or still in rough draft and I just find
humorous fiction enjoyable to write. It's always interesting to see how people
react. A one-liner I think is brilliant may not hit a note with some readers,
where a weaker one-liner I've had feedback saying they 'loved that line'. Every
reader is different and I enjoy hearing what people like and don't like.
Do you have a box, drawer, folder
etc where you keep thoughts and ideas for future stories? Such as names you
have come across, bits of dialogue, ideas, characters - even if you have no
idea when you might use them?
I have a number of notebooks with
random ideas scribbled into them. Mostly it's the start of stories and the odd
bit of dialogue.
How much of you is in your
characters? Which of your characters is the you that you’d most like to be? Or
be with ?
In my Bumpkinton Tales series, I
would say I am most like Father Whitworth O'Grady. He gets vexed quite easily,
tries to be a good person and always does what he thinks is best. However, you
know at some point something will go wrong when his plans seemingly look
straight forward. Story of my life, really haha
I'd like to have a pint with him.
I'd find him hilarious.
In Brainstorm, Michael Eriksson,
is very much the me of my early 20's (even though he's much older in the
story). He's suffering from depression and struggling to cope. That is a story
very personal to me, not only with what Michael is going through but the
psychologist session is very much what I went through. The coping techniques
with his patients are what I had to do to help with my problems. The issues are
changed so as not to bare all that I was going through, but the sessions are
very much personal to me.
Do you become so wrapped up in
your writing that your spouse wonders if they're married to you or one of your
characters?
I wish I had the time, actually,
that sounds wrong. I don't write nearly as much as I wish I could. I have a
number of other interests and they all fight for my time. I mostly write at
weekends and the odd time during the week. Holding down a full time job as well
as watching brilliant TV series and spending time with my partner, Elaine,
means I don't neglect her for the sake of writing.
Maybe one day I'll write a lot
more than I do, but I love spending time with Elaine and that is my first love
before my writing.
What type of book do you like reading? Is it the same genre as you
write?
I like to read Terry Pratchett's
discworld novels, Sherlock Holmes and Jo Nesbo. To be honest, I'll give most
things a go. I think I prefer reading thrillers if I had to choose. I take my
hat off to anybody who can write so many plot twists. I have a thriller in
mind, but I'm still working on how to throw in red herrings without babbling
on. I'm sure I'll get there one day.
How do you feel when a reader
points out the spelling mistake(s) you have made?
Annoyed at myself! However, I
quickly resolve it and upload a new copy.
What do you like most about
visiting KUF/GR/forums?
KUF really is the friendliest
forum I have ever know. I know of nowhere else where so many people are so
supportive. People can be so cut throat in this world and begrudge success, but
when you see an indie either sell well or get a publisher everybody is right
behind them.
I don't frequent GR as much as I
should. I try to when I can and find people are supportive but I find it hard
to get noticed on there.
What is on your near horizon?
I have a Bumpkinton short story
out on 12th December 2014 called Albert's Christmas. The novellas
Bittersweet and The Bachelor are the main Bumpkinton stories, but
I like to throw in a festive extra, hence this years release and 2013's Last
Christmas.
I'm also working on next years
Bumpkinton novella. I am hoping I can make it into a full length novel, but
we'll see. I'll know better by around April how long it can be and if I have
the story to last a novel.
As stated earlier, I'm also
working on a set of children's stories. At time of writing I have written one
around 10,000 words long and plan to do another four around the same length.
They are all based around the same character. He's a character I used for
NaNoWriMo in 2011 but the novel, so far, just doesn't sit right with me. So, in
the meantime, I've decided to make him a few years younger and write some
background that I think will then help me smooth out the novel.
Where can we find you for more
information?
You can read more about me at the
below links:
Website: www.matthewdrzymala.com
Facebook:
www.facebook.com.mattdrzymalaauthor
Twitter: www.twitter.com/mattdauthor
I am also running a launch day on
Facebook for my short story, Albert's Christmas. I will be giving
away a number of prizes including Bumpkinton pens, Amazon gift cards and signed
books by fellow indie authors. People can join or be invited at the below link:
Labels:
Interview,
KUF,
Matthew Drzymala
Monday, 8 December 2014
Rosa's Gold by Ray Kingfisher
This is the dual story of seventeen year old Nicole finding Mac's old journal in the cellar of the new house her and her mother have just moved into. Mac's journal is his recollections of being in the wrong place at the wrong time in the second world war and ending up at Auschwitz.
Sometimes with a dual time story I might not like one side of the story or the other or sometimes the transition between the two times can jar, but this story was extremely well put together. The two parts seem as though it's just one person reading another's story, but as the story unfolds we see where the two lives overlap.
Nicole seems like a lovely girl, I felt her parents' story was the only bit that slightly let the book down. However Mac's story was heartbreaking at times. Even though the descriptions of Mac's experiences in the concentration camp are hard to read it was sensitively done.
This author can turn his hand to numerous genres and is fast becoming my favourite author.
http://www.amazon.co.uk/dp/B00QMVW4MI/?tag=jookuf-21
Sometimes with a dual time story I might not like one side of the story or the other or sometimes the transition between the two times can jar, but this story was extremely well put together. The two parts seem as though it's just one person reading another's story, but as the story unfolds we see where the two lives overlap.
Nicole seems like a lovely girl, I felt her parents' story was the only bit that slightly let the book down. However Mac's story was heartbreaking at times. Even though the descriptions of Mac's experiences in the concentration camp are hard to read it was sensitively done.
This author can turn his hand to numerous genres and is fast becoming my favourite author.
http://www.amazon.co.uk/dp/B00QMVW4MI/?tag=jookuf-21
Labels:
KUF,
Ray Kingfisher
Sunday, 7 December 2014
Interrogating Mads Sorensen
Here's Mads Sorensen
How do
you strike the balance between writing something you want to write and writing
something that people want to read, in terms of the compromises you make, if
any?
I
write because I want people to read what I write, the more the better. While I
don't write something my heart isn't in, I endeavour to write stories I would
like to read when, say, relaxing on a train journey rather than something I
would like to write. But I've never been one for the deep, dark, painful stuff
(a bit odd, I know, hailing from Scandinavia), so there usually isn't a
conflict.
What
excites, attracts or appeals to you about the genre(s) you write in.
My
chosen genres of thrillers and sci-fi provide plenty of opportunities for
action, and yet, I'm not much of an all-out action person in my tastes of films
and books. I'm more interested in exploring the limits of individual human
ability and endurance. With a few exceptions, my characters are what you could
call normal people, who are hurled into abnormal situations they have to get
out of, not only for themselves but mankind to survive.
Do you
have a box, drawer, folder etc where you keep thoughts and ideas for future
stories? Such as names you have come across, bits of dialogue, ideas,
characters - even if you have no idea when you might use them?
I
do write things like that down, but apart from ideas for future stories, I
don't have any systematic way of storing such information, though I probably
ought to.
How do
you manage plot bunnies (ideas that invade your mind that aren’t usually
helpful to the story you’re writing but breed like...er...bunnies)?
I
don't think I have many of those, or rather, I don't recognise them as such at
the time. Even though I'm better at planning than I used to be, my stories keep
going off the rails and into cul-de-sacs. It's infuriating and part of the
reason they take so long to write. On the positive side, it's a way of
exploring possibilities I otherwise wouldn't have thought of, but in a manner
resembling the trial-and-error tree of evolution rather than a deliberate,
systematic approach.
How
much of you is in your characters? Which of your characters is the you that
you’d most like to be? Or be with ?
There
isn't a lot of me, or anyone else I know, in my main characters, though I
sometimes use a real person as a template for a minor character. I wouldn't
mind spending some time with Sid, the contract killer turned saviour from 15000
Feet Below. She seems fun to be with, as long as you are not on her hit list.
And I kind of fell in love with her as I wrote the story.
Do you
become so wrapped up in your writing that your spouse wonders if they're
married to you or one of your characters?
Better
not go there.
What
type of book do you like reading? Is it the same genre as you write?
I
read quite widely, including the genres I write in. I like literary fiction,
too, even though I've never felt compelled to write a literary novel.
What
lengths do you go to to convince us readers that your book has the X factor?
The
cover and blurb are the first things prospective readers see, so that's where I
put in the effort. I have yet to hear of anyone buying a book because the
writer told them it was great. It has to come from readers. But the best way to
promote a book is probably to write another.
How do
you feel when a reader points out the spelling mistake(s) you have made?
Unless
there are a lot, I don't feel much. I just correct them. I've stopped wondering
why I can't get every word right. I just accept it.
What
do you like most about visiting KUF/GR/forums?
The
sense of community, sharing the joy and suffering of writing and reading.
What
is on your near horizon?
The
second book in a trilogy as yet without a name. It follows the characters from
Echoes of The Kin in their bid to escape from the serfs. And who knows, perhaps
they aren't the only humans left on Earth after all.
Where
can we find you for more information?
On my website, madssorensen.com, though I have been
neglecting it a bit lately. I plan an overhaul of the site when I get some time
early in the new year.
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