How do
you strike the balance between writing something you want to write and writing
something that people want to read, in terms of the compromises you make, if
any?
I
write because I want people to read what I write, the more the better. While I
don't write something my heart isn't in, I endeavour to write stories I would
like to read when, say, relaxing on a train journey rather than something I
would like to write. But I've never been one for the deep, dark, painful stuff
(a bit odd, I know, hailing from Scandinavia), so there usually isn't a
conflict.
What
excites, attracts or appeals to you about the genre(s) you write in.
My
chosen genres of thrillers and sci-fi provide plenty of opportunities for
action, and yet, I'm not much of an all-out action person in my tastes of films
and books. I'm more interested in exploring the limits of individual human
ability and endurance. With a few exceptions, my characters are what you could
call normal people, who are hurled into abnormal situations they have to get
out of, not only for themselves but mankind to survive.
Do you
have a box, drawer, folder etc where you keep thoughts and ideas for future
stories? Such as names you have come across, bits of dialogue, ideas,
characters - even if you have no idea when you might use them?
I
do write things like that down, but apart from ideas for future stories, I
don't have any systematic way of storing such information, though I probably
ought to.
How do
you manage plot bunnies (ideas that invade your mind that aren’t usually
helpful to the story you’re writing but breed like...er...bunnies)?
I
don't think I have many of those, or rather, I don't recognise them as such at
the time. Even though I'm better at planning than I used to be, my stories keep
going off the rails and into cul-de-sacs. It's infuriating and part of the
reason they take so long to write. On the positive side, it's a way of
exploring possibilities I otherwise wouldn't have thought of, but in a manner
resembling the trial-and-error tree of evolution rather than a deliberate,
systematic approach.
How
much of you is in your characters? Which of your characters is the you that
you’d most like to be? Or be with ?
There
isn't a lot of me, or anyone else I know, in my main characters, though I
sometimes use a real person as a template for a minor character. I wouldn't
mind spending some time with Sid, the contract killer turned saviour from 15000
Feet Below. She seems fun to be with, as long as you are not on her hit list.
And I kind of fell in love with her as I wrote the story.
Do you
become so wrapped up in your writing that your spouse wonders if they're
married to you or one of your characters?
Better
not go there.
What
type of book do you like reading? Is it the same genre as you write?
I
read quite widely, including the genres I write in. I like literary fiction,
too, even though I've never felt compelled to write a literary novel.
What
lengths do you go to to convince us readers that your book has the X factor?
The
cover and blurb are the first things prospective readers see, so that's where I
put in the effort. I have yet to hear of anyone buying a book because the
writer told them it was great. It has to come from readers. But the best way to
promote a book is probably to write another.
How do
you feel when a reader points out the spelling mistake(s) you have made?
Unless
there are a lot, I don't feel much. I just correct them. I've stopped wondering
why I can't get every word right. I just accept it.
What
do you like most about visiting KUF/GR/forums?
The
sense of community, sharing the joy and suffering of writing and reading.
What
is on your near horizon?
The
second book in a trilogy as yet without a name. It follows the characters from
Echoes of The Kin in their bid to escape from the serfs. And who knows, perhaps
they aren't the only humans left on Earth after all.
Where
can we find you for more information?
On my website, madssorensen.com, though I have been
neglecting it a bit lately. I plan an overhaul of the site when I get some time
early in the new year.
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