Friday, 7 September 2012

Looking for Buttons by Lucie Parish

This is a chick lit book but so much more.  Yes, Kate is a single girl who'd love to look for love.  She moves near her mother and takes a job as a cleaner as she has no idea where her life is heading.

It was hard to believe this was a first time novel.  The story was extremely well told and I read a massive chunk of it at a 4 hour session in the hairdressers.  No gossiping for me when I was so engrossed in this story.

Even the predictable parts had unexpected twists to it, but none of these twists were inconceivable.  You just went "ah" and carried down this next path.

This was a quite meaty story for a chick lit book - almost 300 pages and for me, there was no padding the story out.

Early on I put faces to the characters.   Most of them were from Bridget Jones' Diary (especially the adorable James Callis as Fergus), even thought the characters bore no relation.  

www.amazon.co.uk/dp/B008CNO07Q/?tag=kuffbl-21


Wednesday, 5 September 2012

The Black Conspiracy by Ken Magee

This is the sequel to Dark Tidings, but can be read on its own.  Michael, Madrick and Tung need to fix the problem they caused in Dark Tidings and battle some new wizards.

I looked forward to reading this book and wasn't disappointed.  It was a nice chunky story and I just didn't want to put it down.  Even though it was about wizards and magic, it was more of a (humorous) adventure story.  I liked the innocence of the newcomers and I also liked Tung's new pet.

These are characters that I now love and hope that there's room for them to have more adventures.

http://www.amazon.co.uk/dp/B0095KJ692/?tag=kuffbl-21



Tuesday, 4 September 2012

Interrogating Andre Jute



Andre Jute, the man, the myth



How do you strike the balance between writing something you want to write and writing something that people want to read, in terms of the compromises you make, if any?

Oddly enough, for a marketer and a professional communicator, none. It just never occurred to me that a writer should, or could, give readers what they want until I met all these genre writers in indieland.

D’you see, my formative years as a writer and particularly as a novelist were spent under the influence of the last of the great cosmopolitan gentlemen publishers. They published the books they liked, which were the same books I liked to write. Our standing arose from the quality of our books, not the quantities we sold. It’s a peculiarly American idea that one can measure the worth of a writer by how much he earns. (I doesn’t even strike me as ironic that my books sell so much better than those of many writers who are in it primarily for the money. Justice isn’t ironic, it is fair.)

I suspect that my readers would be insulted if I pandered to them as shamelessly as some of the genre writers do. I take it for granted that my class of reader follows me to new ideas and approaches, and forgives me the inevitable failed experiments, because they love the excitement of the challenges as much as I do.


What excites, attracts or appeals to you about the genre(s) you write in.

I’m not a genre writer except by the accident that I like to read thrillers, and therefore anything I write has a good deal of tension in it. When I have a compelling idea, I just write a novel, without considering what genre it will fit into. It has helped that all these years I never wrote a book on spec, that my books were always commissioned (that is, contracted and paid for by the publisher before I wrote a word of them), so I could be as surprised as anyone else at where the characters drove the novel!


Do you have a box, drawer, folder etc where you keep thoughts and ideas for future stories? Such as names you have come across, bits of dialogue, ideas, characters - even if you have no idea when you might use them?

Small stuff like that I make up on the fly. I do have a purple steamer trunk full of sheets with ideas. I give other writers sheets at random when they run out of ideas. But I have so many ideas, I never use the Purple Cornucopeia, as one thriller writer who has had recourse to it five or six times christened it. I can’t remember when I last didn’t have half a dozen books on the boil.


How much of you is in your characters? Which of your characters is the you that you’d most like to be? Or be with?

Christ, what a horrid idea. In my youth I was dangerous. As a soldier and a revolutionary I was more feared by my own side, who knew how badly I shot, than by any of our enemies. I sailed around Cape Horn twice in a ship of my own construction, and, let me tell you, I’m no woodworker! I raced cars and planes and offshore speedboats; when the man from Porsche saw that I raced on rear track control arms I bent up in Black & Decker Workman from soft aluminium, he fainted dead away. I was a professional polo player until a rival team owner put a prize on my head for winning too often and I got shot. Nobody would believe such characters! Nor would my life as a writer make anything but a dull character. I work 14-16 hours a day. My friends are mostly housewives who cycle, which is what I do for exercise. I’m not even a drunk.


Do you become so wrapped up in your writing that your spouse wonders if they're married to you or one of your characters?

No. We never discuss my writing. I haven’t even mentioned that yesterday I published a new novel.

I’m not one of those “authors” who spray their “artistic” anguish over everyone they come into contact with. It’s only amateurs who cannot leave their work behind when they rise from their desk. Most people I meet never discover that I’m a writer.


What type of book do you like reading? Is it the same genre as you write?

Well written thrillers, badly written thrillers when no well written ones are available, history, biography, farce, the classics, physics, electronics, superior literary novels — by “superior” I mean with a storyline and characters who develop, not formless kitchen sinkers and suchlike crap that their “writers” fondly imagine must be “literary” because they are utterly devoid of any novelistic characteristic or the slightest storytelling appeal. 


What lengths do you go to convince us readers that your book has the X factor?

I suppose I have the background from my time in advertising to invent something, but fortunately my subjects and my treatment of them are usually so far outside the mainstream that nothing promotional needs to be invented. The London Evening News described one of my books as “so bizarre, it’s probably all true.” After that one needs tell no lies, just smile enigmatically!


How do you feel when a reader points out the spelling mistake(s) you have made?

Nauseated. New books, written on computers, are easily made respectable. But my experience with republishing books only available in print, and recovered by optical character recognition, has been — there is no other word for it — sickening. I despair of ever getting a clean book.


What do you like most about visiting KUF?

That Lou keeps out the schoolyard bullies who make the Amazon fora so unpleasant.


What is on your near horizon?

A great deal because I’m privileged to be the beneficiary of much volunteer help. (Anyone who is irritated by misspellings and poor grammar, and who has time, can be an editor; write to me, andrejute at coolmainpress with the commercial extension, if you want to volunteer). In a couple of weeks I publish the screenplay and the radio script adapted from my novel, already published, AN ELECTION OF PATRIOTS. In October we publish the first of the dozen parts that make up COLD WAR, HOT PASSIONS, a saga of seven interconnected Russian, American and British families that spans 75 years. We continue to edit my protégé  Dakota Franklin’s RUTHLESS TO WIN series; she’s a winner in the Best of the Independent eBook Awards. OCR permitting, we shall eventually reissue enough of Andrew McCoy’s Lance Weber novels to permit us to slot in the two exciting new novels he has written especially for the uniform ebook reissue. There are also my own books to be OCR-ed, of which several are timeless and, people think, should be reissued. My next writing project is a fictionalization into a multi-part saga of my family’s antecedents. (Try the Brittanica for our history.)


Where can we find you for more information?

More than you ever wanted to know about me, including a list of places where you can contact me directly: http://coolmainpress.com/andrejute.html 

My blog, Kissing the Blarney: http://coolmainpress.com/ajwriting/ 

My recent books, and books I edited too:

Underneath by Michael Cargill

This is a short but satisfying book.  It is the tale of Hugh who has intense rage and the police officers whose path gets closer to him.

There's no real twists and turns and few surprises, just the journey they take to its conclusion.  It was a very readable story.  I felt myself tensing when Hugh got into situations where he would lose his rag.

The author writes stories that are serious but, reading his blog, I'm sure he's quite mad :)

http://www.amazon.co.uk/dp/B008C3HIA2?tag=kuffbl-21



Sunday, 2 September 2012

Book Lovers by Linda M Priestley

Book lovers is not just a love story.  It's also a geography trip to Wales and a bit of intrigue too.

It's a nice gentle tale about books, lots of books, which was quite funny reading on a Kindle.  I did get annoyed with some of the characters' behaviour, but then, if it was "boy meets girl, they like each other lots, the end" it wouldn't be a very long story.

Even though this is classed in the Romance section, the romance plays a bit part to Amy's story.  I thought the bits with Debbie's cancer were very well written and also Amy's frustrations with being pushed out.

In all, a good read.

www.amazon.co.uk/dp/B009567E2M/?tag=kuffbl-21


Saturday, 1 September 2012

Interrogating Nicola Palmer


Nicola Palmer is a children's author with an imaginative mind.



First of all, thanks, Joo, for asking me to participate in a grilling!  I'm honoured to be subjected to your interrogation :)


How do you strike the balance between writing something you want to write and writing something that people want to read, in terms of the compromises you make, if any?

I began by writing what I wanted to write - a story that had been bubbling away in my mind for a couple of years.  Amazingly, for a first effort, it was well-received, so I've continued in the same way!


What excites, attracts or appeals to you about the genre(s) you write in.

Writing fantasy adventure for children of 9+ is exciting because it enables your imagination to run wild, creating a magical world, while still dealing with complex emotions in the real world.  I'm pleased to say that Alice Parker has quite a following of adult readers too!  I'm just a big kid at heart, so this genre was the obvious choice for me.


Do you have a box, drawer, folder etc where you keep thoughts and ideas for future stories? Such as names you have come across, bits of dialogue, ideas, characters - even if you have no idea when you might use them?

I have a notebook where I jot down ideas and a folder full of inspirations; random pictures, names scribbled on the back of envelopes, old Christmas cards with snow scenes.  The ones with glitter are the best!  The folder is pretty full, but I'm sure most of the snippets will be incorporated in the story at some point in the future.


How do you manage plot bunnies (ideas that invade your mind that aren’t usually helpful to the story you’re writing but breed like...er...bunnies)?

Plot bunnies?  I get Alice to have a word with them - she can communicate with animals.  In a first draft, my plot bunnies hope around freely dropping currants all over the manuscript.  But when I read through the complete story I can usually spot them, so then I reach for the dustpan and brush.  If I miss them, my editor certainly finds them and passes comment!


How much of you is in your characters? Which of your characters is the you that you’d most like to be? Or be with ?

I'm afraid there's a lot of me in Alice.  She can be a feisty, impatient madam, but as the series progresses, a warmer side of her character emerges.  I just wish I had some of her abilities!
If I could spend time with one of the characters, it would have to be Thomas.  He's a good-looking chap, and with his brain and abilities, he's one to watch in the future.


Do you become so wrapped up in your writing that your spouse wonders if they're married to you or one of your characters? 

Writing takes over 'normal' life at times.  I don't think I get wrapped up in a particular character, but my mind wanders into fantasy mode at unexpected moments.  In company, it can lead to raised eyebrows and some strange remarks.


What type of book do you like reading? Is it the same genre as you write?

I love reading children's books, and it's hard to break the habit.  I have started reading more adult books recently, though, and I've been dipping in to the KUF book club.


What lengths do you go to to convince us readers that your book has the X factor? 

Hopefully the books speak for themselves.  I don't do as much marketing as I should - I fear that too much pushing could put people off.


How do you feel when a reader points out the spelling mistake(s) you have made? 

Luckily, it hasn't happened yet, but if someone did, I'd be grateful.


What do you like most about visiting KUF/forums? 

KU forums are welcoming and friendly.  I love the support for indie authors and the fact you never need to be afraid to ask a silly question!


What is on your near horizon? 

I'm toying with the idea of writing a Christmas-themed short story before commencing Book 4 of Alice Parker's Adventures next year.  We'll see!


Where can we find you for more information? 

The Testing of Archie Rathbone by Alex Hunter

This is an intriguing story that starts off with Archie inexplicably waking up on a desert island with no idea of how he got there or why.  It has a gull on the cover and this gull is one of the characters, so I was hooked within a few pages.

I was thinking this book reminded me of the humour of Tom Holt with his Portable Door series of books.  

Since it introduces a bit of magic, you really didn't know where this story was going, but it kept me interested to find out.

In summary, I rather liked it and would certainly recommend it.

www.amazon.co.uk/dp/B008CS1FGA


Monday, 27 August 2012

Interrogating Michael Brookes


Next up is a shy new author, Michael Brookes


How do you strike the balance between writing something you want to write and writing something that people want to read, in terms of the compromises you make, if any?

The first draft is purely for me. I then do an edit pass where I try to put myself as the reader rather than the author. I then throw it out to some trusted test readers who'll then provide feedback on what works or doesn't. I then review the feedback, if the point makes sense then I'll act on it. If not I may discuss it further, but ultimately it's down to me. As a writer I do believe that I am trying to get better so I find that feedback invaluable.


What excites, attracts or appeals to you about the genre(s) you write in.

I like to mix genres, I find they all have something to bring to the table. For example science fiction brings vision, techno thrillers bring an attention to detail and so forth. The Cult of Me comes vaguely within the horror genre, but does take techniques from horror stories as well as military thrillers and contemporary fiction. 


Do you have a box, drawer, folder etc where you keep thoughts and ideas for future stories? Such as names you have come across, bits of dialogue, ideas, characters - even if you have no idea when you might use them? 

Not really, although I guess I should :-) I tend to let ideas percolate in my head until I have need of them.


How do you manage plot bunnies (ideas that invade your mind that aren’t usually helpful to the story you’re writing but breed like...er...bunnies)?

I gut and skin them :-) I'm a great believer in planning, especially for novels. Invading thoughts that threaten the plan have to have something pretty good in mind. With shorter pieces I'm a bit more freeform and let the bunnies have their say. Although quite often they are ruthlessly destroyed when the edit passes begin.


How much of you is in your characters? Which of your characters is the you that you’d most like to be? Or be with ? 

Probably more than I'd like, especially for the main character in the series. I think Friar Francis represents an almost a scholarly ideal I'd like to possess, but he still retains a harsh pragmatism to get the job done.


Do you become so wrapped up in your writing that your spouse wonders if they're married to you or one of your characters?

I probably spend far too much time working and writing, but being not-so-young, reasonably priced and single I don't get into trouble for it.


What type of book do you like reading? Is it the same genre as you write?

I read a variety of genres, mostly fantasy, horror and science fiction. However I enjoy classics, thrillers and non-fiction as well. I'm currently reading Paradise Lost, which for me is probably the best story ever written.


What lengths do you go to to convince us readers that your book has the X factor?

I'm quite new to the business of publishing my work, so I don't think I've found my limits yet. Even though I knew it would be the case before I published it can be a little frustrating as a new author trying to get known and of course get some sales. As wiser people have told me, it's a long game, so I'll keep working on new books and stories as well as developing my blog and participating in communities like the Kindle Users Forum.  In many ways it's a harder task than writing in the first place, but it does have the advantage of getting to know new people.


How do you feel when a reader points out the spelling mistake(s) you have made?

I work in the games industry so I'm quite used to harsh feedback :-) I actually prefer people to be honest, if they see a mistake please point it out so I can correct it if I can. Constructive and specific feedback should be of value to any writer.


What do you like most about visiting KUF/forums?

I'm a bit of a newbie, but the warm welcome was great. I also like the mix between authors and readers, there's some interesting discussions and useful feedback.


What is on your near horizon?

The Cult of Me is the first in a trilogy so I'm currently waist deep in the second book - Conversations in the Abyss. I'm also working on a short story for the KUF End of the World Anthology.


Where can we find you for more information?

I update my blog regularly at: http://thecultofme.blogspot.co.uk/  

Saturday, 18 August 2012

Mongol Rally by JA Irvine

This is the tale of two students who decide to do the London to Mongolia Rally.  It seems the only rule is that the vehicle must not cost more than £500.

This was an immense story of mainly border crossings and police check points as they cross out of Europe and through Ukraine, some 'Stans and Russia.  As someone who hates driving more than half an hour and loves my bed I certainly didn't envy them their trip, although some of the sights they saw must have been amazing.

As I got towards the end of the book, I got out my atlas of the world to try and trace their path and also to wonder if I could do their journey with the (lack of) maps they had.

I've found the blog chronicling this journey and it's great to see some of the landscapes. http://www.mjiccs.co.uk/l2m/

There are a handful of typos in the book, and sometimes I thought "not another police check point", but in the main I thoroughly enjoyed this book

http://www.amazon.co.uk/dp/B007M41H2M/?tag=kuffbl-21



Thursday, 16 August 2012

The Bird That Nobody Sees by Stuart Ayris

How do I write a review for this book?  It defies pigeon-holing,  How can a book about a midget planning to murder someone after serving prison time for a drugs bust (he was innocent) be so magical?

I find reading Stuart's books to put me in a "floaty" frame of mind.  They are not of this earth.  Every word (and he likes them) lifts you.

See, I can't adequately review this book :)  I would imagine that there may be people out there that won't like this.  Stuart is possibly a marmite author.  But once you "get him" you'll be on a fantastic journey.

This story in the main is about friendship - bloke friendship.  As a female it was interesting looking in on it.

http://www.amazon.co.uk/gp/product/B008N06XE6\?tag=kuffbl-21





Interrogating Helen Smith


Interviewing Helen Smith.



How do you strike the balance between writing something you want to write and writing something that people want to read, in terms of the compromises you make, if any?

I know that people’s tastes vary wildly so rather than try to work out what might appeal to someone – or, even more impossible, ‘everyone’ – I try to write books that I’m proud of and hope to find readers who will appreciate the books for what they are. I suppose it’s a bit like finding friends, isn’t it? Rather than try to be someone who will impress a certain group of people, you hope to meet people who will like you for who you are.


Do you have a box, drawer, folder etc where you keep thoughts and ideas for future stories? Such as names you have come across, bits of dialogue, ideas, characters - even if you have no idea when you might use them?

I have folders online where I make notes about the book I’m writing and future projects I’m planning. I usually carry a notebook with me in my handbag but I rarely write in it unless I can’t access my computer because I have trouble reading my handwriting.


How do you manage plot bunnies (ideas that invade your mind that aren’t usually helpful to the story you’re writing but breed like...er...bunnies)?

I have never heard that term before! Fortunately I have never suffered from an invasion of plot bunnies. Sometimes a minor character will start to become more important in the story I’m writing because I like them and I want to spend more time with them. For example there’s a colourful character called Jesmond in The Miracle Inspector who is a poet. I liked him when I started writing him so I gave him more space in the book than I had originally planned. But when something like that happens, it’s helpful to the story – nothing like those nasty-sounding plot bunnies.


How much of you is in your characters? Which of your characters is the you that you’d most like to be? Or be with ? 

There’s a lot of me in all my characters. I usually say that Alison Temple (who appears in my first two books, Alison Wonderland and Being Light) is a grumpier version of me. The character I’d most like to be is the eccentric philosophy professor, Dr. Muriel, who appears in my new Emily Castles mystery series. She’s Emily’s side-kick and she’s very intelligent, but it’s Emily who solves the mysteries. She’s rather a mischievous character and I imagine her being played by Miriam Margoyles if the series ever made it onto TV.


What type of book do you like reading? Is it the same genre as you write?

I write mainstream fiction and mysteries, but I read more widely than that. I like most genres, so long as the book is well written. I enjoy reading biographies and autobiographies, too. Since I got my Kindle I have found that I have started taking a chance on books I wasn’t sure I’d like – and I have discovered some new authors and genres that I have really enjoyed. I love the Kindle Daily Deal!


What lengths do you go to to convince us readers that your book has the X factor?

It’s really difficult to try to sell your own book. The best way that I have found to convince readers that my book is something special is to ask reviewers and book bloggers to read it and recommend it if they like it. I’m indebted to all the readers and bloggers who have taken the time to read, review and recommend my books – it’s a great way to get the word out. A few readers have told me recently that they’ve recommended The Miracle Inspector to their book groups, which is really wonderful. I’m always happy to do online Q&As for book groups if I can’t get to visit them in person.


How do you feel when a reader points out the spelling mistake(s) you have made?

That’s never happened, fortunately. My books are copy-edited and proof-read but, even so, I think all of us notice one or two minor errors in just about every book we read because even copy editors and proof readers can miss them. It’s usually something like a missing word where text has been changed late on in the editing process, rather than a spelling mistake.


What do you like most about visiting KUF/forums?

I like finding book recommendations and reviews, and I like to know when books are on offer at a low price so I can grab them for my Kindle. Unfortunately that means I buy many more than I will ever read.


What is on your near horizon?

I’m writing a murder mystery series set in present day London. It features a twenty-six-year-old amateur sleuth called Emily Castles and her side-kick, a professor of philosophy called Dr Muriel. I have just finished the first novel in the series, Invitation to Die, and I’m now working on the next one, Beyond Belief. I have already published a couple of novella-length Emily Castles stories and they have been quite popular with readers, so I hope they’ll enjoy the full-length novels, too.

The print edition of The Miracle Inspector will be out on 4th September so I’m doing a lot of work to promote that. It’s already available as an ebook and so far the reviews have been great.

The audio book of Alison Wonderland is out on 6th November. I have never had an audio book out before – I can’t wait to hear it. I’m very excited about it.


Where can we find you for more information?

Thank you!

Wednesday, 15 August 2012

Stark Warning by James Raven

I came across this book on the free list.  It caught my eye for the blurb, yet I was very suspicious of the reviews.  80% of them had only reviewed James Raven books and given it 5 stars.  I very nearly didn't download it, but I tried the sample and that was it, I was in.

This is a police procedural story, but the usp is that it is about the lead detective in a Celebrity Crime Squad.  A killer is threatening to kill someone every time a talk show host is seen on TV.

This book was very readable.  There was nothing much that held me up or pulled me out of the story.  It wasn't the most wonderful story, but certainly an enjoyable one.

http://www.amazon.co.uk/dp/B008K0L1O6/?tag=kuffbl-21



Tuesday, 31 July 2012

Pompomberry House by Rosen Trevithick

Pompomberry House by Rosen Trevithick is one of my most anticipated book in my Kindle-owning being.  So was it worth the wait and the hype and the teasing? ................ Yes, yes, yes, yes.

I'm sure I recall Rosen actually getting the idea for this particular book from a forum, where she couldn't decide between one story or the other and decided to do both.  It is the tale of Kindle forum life and Indie authors, but on a much exaggerated scale (I hope ;p).

As a whodunnit, you are kept guessing all the way to the end.  The characters are wonderfully larger than life and if you are a forum member, you do wonder where she got her characters from.

A wonderful easy read.  If you like any of Rosen's other works, you'll adore this one.

PS, I am the proud owner of one of the seagulls on the cover :D

http://www.amazon.co.uk/gp/product/B008QBALD6/?tag=kuffbl-21


Monday, 30 July 2012

Interrogating George Hamilton


 My next interrogation is George Hamilton - the author, not the baked brown American actor.



First of all, thanks for the opportunity to talk to your audience, Joo, and for the time you put into your blog and reviewing independent authors like myself.


How do you strike the balance between writing something you want to write and writing something that people want to read, in terms of the compromises you make, if any?

Some of my stories have lived in my head for years. So if I am living with these stories and characters for so long, I think it’s very important to firstly write something that satisfies me. But then I need to use techniques to make the work accessible and enjoyable to the reader. I think most stories, if told in a compelling way, can, if promoted well, find an audience.


What excites, attracts or appeals to you about the genre(s) you write in.

Genres are an aspect of writing that I wish I didn’t have to be concerned with. I think it can often be too restricting. I was reading a blog the other day that said if the novel is a suspense, then the bad guy should not be known at the start, but if it is a thriller, the bad guy should be known. I really prefer to write a scene based on what feels right for it at a particular time, rather than these fixed ideas. That’s why I’m happy that people are now talking about multi-genre novels. I’ve published in the historical, drama, suspense categories so far, but I also have unpublished works which range from thrillers to comedies. The novel I’m currently working on will probably be a cross between contemporary, suspense and thriller. I really want to keep the reader guessing and asking what will happen next, and also hopefully gaining some further insight into us as human beings.


Do you have a box, drawer, folder etc where you keep thoughts and ideas for future stories? Such as names you have come across, bits of dialogue, ideas, characters - even if you have no idea when you might use them?

I haven’t got a great memory, so everything has to be stored somewhere. I have folders thick with research material and megabytes of computer files. Scenes and research material are added to my specific story idea files as they come to mind. This may be due to something I’ve seen on TV, overheard or just popped into my head. If I notice a theme from a current event, I’ll note it down and try to find a story to match it to. I even have a couple of classic put down lines from former girlfriends noted to use in future novels. So watch what you say when I’m around, or else you might just end up in print (or is it digital ink these days)!


How do you manage plot bunnies (ideas that invade your mind that aren’t usually helpful to the story you’re writing but breed like...er...bunnies)?

I haven’t really experienced plot bunnies. I either set out to write a scene with a strong or basic idea of what I want to say. In both cases, but especially the latter, something almost magical happens, where an even better idea starts to form as I write. Those are the best times. Then I have to sit back and wonder, where did that come from?


How much of you is in your characters? Which of your characters is the you that you’d most like to be? Or be with?

To date, I have not directly written any book and thought that character is me. But there are characters who have come up where I’ve thought, that’s similar to what I’d do in this situation. I can think of Joshua/Nannup from Secrets From The Dust who was determined to retain a part of himself. Thereza from Carnival of Hope, who is determined to go after her dreams. But possibly the closest to me is Olga, Dr Ludmilla Toropov’s daughter in my yet to be published novel The Disease. The story really developed from the theme of a blog I wrote some time ago about a risk-taker versus a survivor personality. Olga is definitely an uncompromising risk-taker. But somewhat surprisingly, reading her frightens me.


Do you become so wrapped up in your writing that your spouse wonders if they're married to you or one of your characters? 

I am currently single. I don’t think there are many people who would put up with someone prepared to sell their home to go off and write a novel, which is what I did for Secrets From The Dust, when I went to live in Australia for 6 months. Many who know I did this think I’m a few screws short of a brain. But I’m the type who likes to prove them wrong. Just this last Sunday, I met some family friends at the shopping centre, and their tone as we talked was you’re not still trying to become a writer are you? A cousin of mine said, “Wouldn’t it have been easier for you to write a song about it instead (of spending all that time and money)?” But once the writing bug gets you, it’s hard to let go, especially when the ideas keep invading your mind. I now realise that I’m prepared to take big risks to achieve what I want to, which ties into your previous question about how much of me is in my characters.


What type of book do you like reading? Is it the same genre as you write?

I don’t read as much as I’d like to at the moment, as I’m so exhausted by the end of the day. I read a wide range of genres, but I don’t think I’m that big on fantasy, although I did read and enjoy Frank Herbert’s Dune. A short list of the books I’ve read and enjoyed would probably give a better idea:

The Road – Cormac McCarthy
The Grapes of Wrath – John Steinbeck (and his other books)
Shogun – James Clavell
The Help – Kathryn Stockett
Lord of the Flies – William Golding
Gloria Naylor books
Toni Morrison books
The Poisonwood Bible – Barbara Kingslover
Atonement – Ian McEwan
1984 - Orwell


What lengths do you go to convince us readers that your book has the X factor?

Is this the question where I admit to walking through the shopping centre wearing nothing but a placard advertising my books to hide my embarrassment? Well it wasn’t me! I’m not that desperate, yet.

I think one of the biggest influences on the sale of Indie books are readers and reviewers like yourself, Joo. Reviewers provide an independent voice about the quality of a book to other readers, and the more reviewers a book has, the more opportunity it has to appear on some of the most influential book blogs. So I aim to write the best blurb that I can and contact as many reviewers as time allows to request a review.


How do you feel when a reader points out the spelling mistake(s) you have made?

Sorry that I missed it, but grateful that someone has taken the time to point it out to me so that I can put it right.


What do you like most about visiting KUF/forums?

KUF is a very friendly and helpful community to engage in, and I’m happy to have found it. If I post in the wrong place on KUF, I don’t feel that I’ll be spanked like a naughty schoolboy by someone who disapproves—the advice is more gentle.


What is on your near horizon?

I recently completed the first draft of my latest novel, provisionally titled The Disease. I did the main body of research after completing the first draft, a new approach to make the research quicker and more relevant, which I have recently blogged about here. I have just started the second draft, which will incorporate the research. Here is the draft cover blurb:

Estranged from her student rebel daughter, Dr Ludmilla Toropov is a holder of the gold cross as a daughter of her nation. When a deadly virus sweeps the world, wiping out millions in days, her East European nation, under sanctions from the international community, becomes the first to develop a vaccine. But with their antiquated production facilities, they are only able to satisfy the demand of a small section of their population. Dr Toropov can either watch hundreds of her patients die, or defy the state that nurtured her by attempting to smuggle the drug out to the West. One choice will pit her against her daughter, the other could unearth unpalatable secrets and land her in a gulag jail…


Where can we find you for more information?

Currently I can be found in the following places:

Author Website: http://browsingrhino.com

To Be A Man by Roger Knowles

This is billed as "a love story... but with a difference".   As a love story (difference or otherwise) it was a very compelling read.  I read it non stop this morning.

It's written from three people's point a view, Martin, Lisa and Martin's mum.  You knew where the story was going right from the beginning, but I wanted to be part of the journey.  My heart felt for Martin and Lisa, but understood that times were different 40-odd years ago.  No mobile phones or internet.  Just the postman and home phones.  I so wanted to bang their heads together and tell them "just talk to him/her".  It wasn't mawkish, just a story of what could have been.  

I really enjoyed this and did have to have a good nose blow at the end (tmi :D )

http://www.amazon.co.uk/dp/B005FMAYKO/?tag=kuffbl-21